Ideologi dan Identitas Dalang dalam Seleksi Dalang Profesional Yogyakarta

https://doi.org/10.22146/jksks.30045

Bambang Sulanjri(1*)

(1) Universitas Gadjah Mada
(*) Corresponding Author

Abstract


This study discusses a shadow puppet show packaged in a format in the Yogyakarta Professional Puppeteer Selection Year 2008. This research data is very unique because this kind of event does not happen again until 2016. Data were collected with audio visual recordings and direct observations. Data analysis uses formal analysis to review the performance structure, and content analysis based on various theories to reveal the ideology and identity that play a role in the show. The results of this study shows that the structure of the performance is not the same as that of the common shadow puppet show due to the adjustment of the puppeteers to the rules set by the organizers. Personal and collective identity appeared in the puppet show. Here, the puppeteers could express their personal ideas without eliminating their collective identity. There were three puppeteer ideologies: conservative, development and competitive ideologies, and the ccompetitive ideology is the dominant ideology.

Keywords


identity, ideology, shadow puppet, structural performance



References

Althusser, Louis. Tentang Ideologi: Marxisme Strukturalis, Psikoanalisis, Cultural Studies (terj. Osly Vinoli Arnof). Yogyakarta & Bandung: Jalasutra, 2006. Bahari, Nooryan. Kritik Seni: Wacana, Apresiasi dan Kreasi, Yogyakarta: Pustaka Pelajar, 2008. Burke, Peter. Sejarah dan Teori Sosial, terj. Yayasan Obor Indonesia. Jakarta: Yayasan Obor Indonesia, 2003. Groenendael, Victoria M. Clara van. Dalang di Balik Wayang. Jakarta: PT Pustaka Utama Grafi ti, 1987. Hadiprayitno, Kasidi. Filsafat Keindahan: Suluk Wayang Kulit Purwa Gaya Yogyakarta. Yogyakarta: Bagaskara, 2009. Haryono, Timbul. Seni Pertunjukan dan Seni Rupa dalam Perspektif Arkeologi Seni. Surakarta: Isi Press Solo, 2008. Jazuli, Muhammad. “Dalang Pertunjukan Wayang Kulit Purwa: Studi Tentang Ideologi Dalang dalam Perspektif Hubungan Negara dengan Masyarakat”, Disertasi Universitas Airlangga, 2009. Kaplan, David dan Manners, Robert A. Teori Budaya, terj. Simatupang, Landung. Yogyakarta: Pustaka Pelajar, 2002. Kayam, Umar. Kelir Tanpa Batas. Yogyakarta: Gama Media, 2001. Marinis, Marco de. The Semiotics of Performance, terj. Aine O, Healy. Bloomington dan Indianapolis: Indiana University Press, 1993. Mudjanattistomo, R.M.; Tjiptowardoyo, R. Ant. Sangkono; Radyomardowo, R. L.; Basirun, M. Pedhalangan Ngayogyakarta. Yogyakarta: Penerbit Kanisius, 1977. Rahardjo, Basuki. “Pepadi DIY Gelar Festifal Dalang; Mengangkat Wayang Gagrak Yogya” Kedaulatan Rakyat Online, 26 Desember 2008. Reza, Fikri. “Wayang dan Komunikasi ideologi politik”, Jurnal Semiotika. Vol. 2, Juni 2008. Roostandi, Muchamad Sidik. “Ideologi dan identitas Konsumen Factory Outlet: Studi Kasus Pada Konsumen The Secret Factory Bandung”, Tesis FIB UI, 2010. Internet PDF, diakses tanggal 31 Januari 2012). Senawangi (Booklet). Wayang: Karya Agung Budaya Dunia, 2004. Soedarsono, R.M. Seni Pertunjukan dan Perspektif Politik, Sosial, dan Ekonomi. Yogyakarta: Gadjah Mada Press, 2003. ___________. Metodologi Seni Pertunjukan dan Seni Rupa, Bandung: MSPI, 2001. Soetarno. Pakeliran Pujosumarto, Nartosabdo dan Pakeliran 1996-2001. Surakarta: STSI Press, 2002. __________. Wayang Kulit: Perubahan Makna Ritual dan Hiburan. Surakarta: STSI Press, 2004. Suwardi, “Cultural Studies: Budaya Pop dan Ideologi Kejawen dalam Wayang” Makalah Seminar Internasional Cultural Studies di Cine Club, FBS UNY, 14-15 September 2005 (internet PDF diakses 31 Januari 2012).



DOI: https://doi.org/10.22146/jksks.30045

Article Metrics

Abstract views : 3027 | views : 7639

Refbacks

  • There are currently no refbacks.


Copyright (c) 2017 Jurnal Kajian Seni

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This journal is published by Performing Arts and Visual Arts Studies, Graduate School, Universitas Gadjah Mada.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

web
statistics View My Stats