Proses Kreatif Komponis Kontemporer Slamet Abdul Sjukur dalam Berkarya Seni

https://doi.org/10.22146/jksks.71109

Elizabeth Suryani Ongko(1*), Warih Handayaningrum(2), Eko W. Rahayu(3)

(1) Universitas Negeri Surabaya
(2) Pendidikan Seni Budaya, Universitas Negeri Surabaya
(3) Pendidikan Seni Budaya, Universitas Negeri Surabaya
(*) Corresponding Author

Abstract


Artwork is part of a culture that is created because of a process related to constructive creativity. This process is often referred as the creative process. The creative process can be viewed from related aspects, influencing elements, or the stages in it. The creative process that will be discussed by researcher is the creative process of a music artists who want to create something new and unique, often referred to as new music or contemporary music. The purpose of this study is to see how the stages of the creative process of contemporer composer Slamet Abdul Sjukur in creating the artwork. The method of this research is a qualitative research with literature studies, interviews and also observations of Slamet's artworks as the research subjects. Slamet is a composer who emphasizes the simple concept of producing something great, a concept known as the minimax concept. From this study, it was found that Slamet Abdul Sjukur is a contemporary composer who involves all stages of the creative process in creating artwork. However, the details of the stages of ideas and the implementation of Slamet's creative process on one artwork are very different from one another. This then makes each of Slamet's artworks have their own uniqueness.

Keywords


artwork, creative process, contemporer composer, minimax, Slamet Abdul Sjukur



References

Ayorek. (2014). Sluman Slumun Slamet 79thn. Cetakan pertama: Surabaya.

Dewi, Maria Octavia Rosiana & Pramana, Cristavia Ayunda Nada (2018). Dalam Karya "Minimax" Slamet Abdul Sjukur Yang Berjudul "Uwek-Uwek" dan "100 ABG Babu". Monograph. UPT Perpustakaan ISI Yogyakarta.

Hardjana, Suka. (2004). Musik Antara Kritik dan Apresiasi. Jakarta: Kompas.

Kau, Sofyan A. P. (2013). Metode Penelitian Hukum Islam: Penuntun Praktis untuk Penulisan Skripsi dan Tesis. Yogyakarta: Mitra Pustaka.

Kristianto, Imam. (2019). “Proses Kreatif Eko Supriyanto Dalam Penciptaan Tari Balabala”. Jurnal Kajian Seni Vol.5, No.2.

Mack, Dieter. (2001). Pendidikan Musik – Antara Harapan dan Realitas. Bandung, Yogyakarta: MSPI / UPI Bandung.

Mack, Dieter. (2004). Musik Kontemporer dan Persoalan Interkultural. Bandung: ARTI.

Mack, Dieter. (2009). Sejarah Musik Jilid IV. Yogyakarta: Pusat Musik Liturgi.

Mazzola, Guerino; Park, Joomi dan Thalmann, Florian. (2011). Musical Creativiy : Strategies and Tools in Composition and Improvisation. USA: Springer.

Munandar, Utami. (1999). Kreativitas dan Keberbakatan. Strategi Mewujudkan Potensi Kreatif dan Bakat. Jakarta: Gramedia Pustaka Utama.

Mustaqim, Abdu. (2014). “Model Penelitian Tokoh (Dalam Teori Dan Aplikasi.” Jurnal Studi Ilmu-Ilmu Al-Qur`an Dan Hadis, 2, 15.

STACCATO. (2003). Majalah Edukasi dan Informasi Musik. Surabaya.

Sugiartha, I Gede Arya. (2009).Estetika Musik Kontemporer Bali.” Makalah Seminar Akademik Dalam Rangka Dies Natalis ISI, Denpasar.

Supiarza, Hery. (2016). “Minimax Sebagai Konsep Berkarya Slamet Abdul Sjukur Dalam Penciptaan Musik Kontemporer.” Jurnal RITME, 2(2), 29–39.

Susanto, Mikke. (2011). Diksi RupaKumpulan istilah dan Gerakan Seni Rupa“. Yogyakarta : DictiArt Lab,Yogyakarta dan Jagat Art Space, Bali

Tabrani, Primadi. (2006). Kreativitas dan humanitas: Sebuah studi tentang peranan kreativitas dalam perikehidupan manusia. Yogyakarta: Jalasutra.

Tolah, Achmad Fauzie. (2014). “Proses Berkarya Grup Musik Distorsi Akustik.” Catharsis, 3(2), 40–46.

Wallas, Graham (1926). The Art of Thought. New York: Harcourt, Brace & Company.

Wirawan, I Putu Ari; Sudiarta, I Wayan; Budiarta, I Gsti Made. (2014). “Proses Kreatif I Wayan Sadra Pada Seni Lukis Telor di Desa Batuan, Sukawati, Gianyar.” Jurnal Jurusan Pendidikan Seni Rupa Vol 2, No 1.



DOI: https://doi.org/10.22146/jksks.71109

Article Metrics

Abstract views : 698 | views : 600

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Jurnal Kajian Seni

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This journal is published by Performing Arts and Visual Arts Studies, Graduate School, Universitas Gadjah Mada.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

web
statistics View My Stats