Bukan Sekadar Boneka: Pemaknaan Fans Stray Kids pada Tren Mengoleksi SKZOO Ditinjau dari Budaya dan Ekonomi Penggemar

https://doi.org/10.22146/jmki.102591

Putu Intan Raka Cinti(1*)

(1) Universitas Gadjah Mada
(*) Corresponding Author

Abstract


This study aims to understand how Stray Kids fans interpret the activity of collecting SKZOO dolls through the lens of fan culture and fan economy. Using a phenomenological approach, this research explores fans subjective experiences in perceiving SKZOO dolls not merely as consumer goods, but as a medium for gaining emotional needs, a symbols of identity, and a form of participation in fandom culture. The findings reveal that fans love to collect SKZOO dolls because of the cuteness as a representation of kawaii culture, strenghthening the emotional bonds both among fans and with Stray Kids,, while simultaneously becoming part of participatory culture through content creation and distribution. On the other hand, SKZOO dolls also embodies the dynamics of fans economy through hypercommercialization, where entertainment companies capitalize on fans’ emotional attachment to encourage repetitive consumption. Thus, these SKZOO dolls emerge as a dual phenomenon: a medium of fan cultural expression and an instrument of the entertainment industry for gaining finansial profit.


Keywords


fan culture; fan economy; K-Pop; participatory culture; phenomenology

Full Text:

PDF


References

Annisa, O., Marwati, R., Rivan, M. W., & Diwangkara, R. (2024). Studi etnografi perilaku konsumtif fandom nct pada pembelian album dan merchandise k-pop. Journal of Science and Technology, 4(2), 467–490

Arassy, B. F., Wibisono, N., & Rafdinal, W. (2021). Niat Pembelian Digital Album K-Pop: Analisis Deskriptif Theory of Planned Behavior. Prosiding Industrial Research Workshop and National Seminar, 12(Cd), 1016–1021.

Bourdieu, P. (1984) Distinction: A Social Critique of the Judgment of Taste. Routledge & Kegan Paul.

Chung, E., Beverland, M. B., Farrelly, F. J. D., & Quester, P. G. (2009). The dark side of consumer fanaticism. In D. Tojib (Ed.), Proceedings of the Australian and New Zealand Marketing Academy (ANZMAC) 2009 Sustainable Management and Marketing Conference (pp. 1 - 7). Australia & New Zealand Marketing Academy (ANZMAC)

Creswell, J. W. (2012). Educational research: Planning, conducting, and evaluating quantitative and qualitative research (4th ed.). Pearson.

Croteau, D & Hoynes, W. (2001). The Bussiness of The Media, Corporate Media and the Public Interest. Pine Forege Press.

Fiske, John. 1992. “The Cutlural Economy of Fandom.” In The Adoring Audience: Fan Culture and Popular Media, edited by Lisa A. Lewis, 256. New York: Routledge.

Freeman, B. (2018). Communication and Media: Types, Functions, and Key Concepts. Dalam Handbook of Research on Media Literacy in Higher Education Environments. IGI Global. https://doi.org/10.4018/978-1-5225-4059-5

Geraghty, L. (2014). Cult Collectors (1st ed.). Routledge. https://doi.org/10.4324/9780203130261

Goh, T. (2013). Die-hard fans drive K-Pop’s multi-million dollar industry. CNBC. https://www.cnbc.com/2013/11/26/die-hard-fans-drive-k-pops-multi-million-dollar-industry.html

Haya F.A & Rakhmawati, F.Y. (2022) Consumer Fanaticism dalam Mendefinisikan Diri: Studi pada Budaya Konsumsi ARMY atas Merchandise BTS. Jurnal Media dan Komunikasi Indonesia. 3(2), 107-127.

Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. NYU Press. http://www.jstor.org/stable/j.ctt9qffwr

Jenkins, H. (2012). Textual Poachers: Television Fans and Participatory Culture. Routledge. https://doi.org/10.4324/9780203114339

Jenkins, H. (2014). Participatory Culture: From Co-Creating Brand Meaning to Changing the World. GfK Marketing Intelligence Review. 6. 10.2478/gfkmir-2014-0096.

Jenkins, H., Ito, M., & boyd, D. (2016). Participatory culture in a networked era: A conversation on youth, learning, commerce, and politics. Polity Press.

Junhee, P. (2022). Pop-up stores become key K-pop marketing strategy. Asia News Network. https://asianews.network/pop-up-stores-become-key-k-pop-marketing-strategy/

JYP Entertainment. (2024). 2Q24 Finance Results.https://jyplevel2storage01.blob.core.windows.net/homepage/[JYP ENT] 24Q2_Result_ENG_f-91e4517717eb44499a39b3f9b75fd3db.pdf

Kartikasari, H., & Sudrajat, A. (2022). Makna Pembelian Album Fisik Bagi Penggemar Budaya Pop Korea. Jurnal Analisa Sosiologi, 11(3), 405–428. https://doi.org/10.20961/jas.v11i3.59242 Korea.net. (2024). Hallyu (Korean Wave). https://www.korea.net/AboutKorea/Culture-and-the-Arts/Hallyu

Kwon, C. (2012). Who is Your Bias: The Symbolic Interacons and Social Solidarity of the Internaonal K-pop Fan Community. Oregon: Department of Sociology and Anthropology, Linfield College.

Liang, Y & Shen, W. (2016). Fan economy in the Chinese media and entertainment industry: How feedback from super fans can propel creative industries’ revenue. Global Media and China. 1. 331-349. 10.1177/2059436417695279.

Liu, F. (2022). The Fan Culture and Fan Economy. Proceedings of the 2022 8th International Conference on Humanities and Social Science Research (ICHSSR 2022). 767-772.

McAllister, M. P. (2010). Hypercommercialism, televisuality, and the changing nature of college sports sponsorship. American Behavioral Scientist, 53(10), 1476–1491. https://doi.org/10.1177/0002764210368080

Mihardja, J., & Paramita, S. (2019). Makna Idola Dalam Pandangan Penggemar (Studi Komparasi Interaksi Parasosial Fanboy dan Fangirl ARMY Terhadap BTS). Koneksi, 2(2), 393. https://doi.org/10.24912/kn.v2i2.3915

Moustakas, C. E. (1994). Phenomenological research methods. SAGE Publicati17ons, Inc.

Mosco, V. (2009). The political economy of communication. SAGE Publications Ltd, https://doi.org/10.4135/9781446279946

Neuman, W. (2014) Social Research Methods: Qualitative and Quantitative Approaches. Pearson.

Oh, I. (2013). The globalization of k-pop: Korea’s place in the global music industry. Korea Observer, 44(3).

Patton, M. Q. (1980). Qualitative Evaluation Methods. SAGE Publications.

Pichler-Luedicke, Elisabeth & Hemetsberger, Andrea. (2010). 'Hopelessly devoted to you' – Towards an Extended Conceptualization of Consumer Devotion. Advances in Consumer Research. 34.

Robertson, A. F. (2003). Life like dolls: The collector doll phenomenon and the lives of the women who love them. Dalam Life Like Dolls: The Collector Doll Phenomenon and the Lives of the Women Who Love Them. Routledge. https://doi.org/10.4324/9780203505045

Sarajwati, M. K. A. (2020). Fenomena Korean Wave di Indonesia. Egsaugm. https://egsa.geo.ugm.ac.id/2020/09/30/fenomena-korean-wave-di-indonesia/

Shim, D. (2006). Hybridity and the rise of Korean popular culture in Asia. Dalam Media, Culture and Society (Vol. 28, Nomor 1). https://doi.org/10.1177/0163443706059278

Sugiyono. (2014). Metode Penelitian Pendidikan Pendekatan Kuantitatif, Kualitatif, dan R&D. Alfabeta.

Thornton, S. (1995). Club Cultures: Music, Media and Subcultural Capital. Polity Press.

van Dijk, J. A. G. M. (1997). The Reality of Virtual Community. Trends in Communication, 1(1), 39-63.

Yi, L., & Rui, C. (2023). From Opposition to Collaboration: The Evolution of Participatory Culture in The LinaBell IP Generation. MANDARINABLE : Journal of Chinese Studies.

Zhang, Y. (2013) On the duality of "consumer" and "producer" identity of fans. Journal of Mudanjiang Normal University (Philosophy and Social Sciences Edition), (2) .82-85.

Zhang, Z. (2023). Para-kin relationship between fans and idols: a qualitative analysis of fans’ motivations for purchasing idol-dolls. Online Media Glob. Commun, 2(3), 404-421. https://doi.org/10.1515/omgc-2023-0019



DOI: https://doi.org/10.22146/jmki.102591

Article Metrics

Abstract views : 2814 | views : 2083

Refbacks

  • There are currently no refbacks.


Copyright (c) 2025 Jurnal Media dan Komunikasi Indonesia

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Akreditasi Sinta 3 Crossref Dimensions Garuda Google Scholar ROAD/ISSN APJI

Jurnal Media dan Komunikasi Indonesia (Online ISSN 2721-396X) is published by the Department of Communication Science (DIKOM), Faculty of Social Science and Political Science (FISIPOL), Gadjah Mada University


View My Stats