Machiavellian Principles Depicted in William Shakespeare’s Othello
Raden Ayu Qisthi Shafira Sukardi(1*)
(1) Universitas Gadjah Mada
(*) Corresponding Author
Abstract
This research is aimed to identify Machiavellian principles applied in Iago’s traits. Dynamic structuralism proposed by Mukarovsky is applied as its theoretical approach, so the discussion of this research evolves around the intrinsic elements of the play as well as the historical background of Machiavelli and the principles. By conducting a library research as the method, it is revealed that Machiavelli has his own idea to define power. According to Machiavelli, achieving power has to deal with virtù as a force. This is considered as the highlight of Machiavellian principles in this research.
Therefore, the interaction between Iago and other characters are analyzed to see the application of Machiavellian principles in Iago’s traits. Iago’s plan is highlighted and linked to Machiavellian principles, saying that it is acceptable for someone to be harmful and selfish as the ways to achieve power. As the result, this research concludes that Iago has various personalities: as a backstabber, a trickster, and a master of exploiting other people’s mind. These personalities are aligned with Machiavellian principles. Iago manages a mischievous plan to destroy other people’s lives. His atrocious behavior represents the idea of a Machiavellian virtùe, described as a part of Machiavellian principles.
Keywords
Full Text:
PDFReferences
Abrams, M.H. A Glossary of Literary Terms. 7th Ed. Fort Worth, Texas: Harcourt Brace College Publishers, 1999. Digital File.
Baldick, Chris. “Machiavel.” The Oxford Dictionary of Literary Terms. Oxford University Press, 2008. Web. 6 August 2013.
Bate, Jonathan and Eric Rasmussen. “Keyfacts.” Othello. By William Shakespeare. Ed. Jonathan Bate and Eric Rasmussen. RSC Edition. Basingtoke: Macmillan, 2009. Print.
Bate, Jonathan and Eric Rasmussen. “Shakespeare’s Career in the Theatre”. Othello. By William Shakespeare. Ed. Jonathan Bate and Eric Rasmussen. RSC Edition. Basingtoke: Macmillan, 2009. Print.
Gauss, Christian. Introduction. The Prince. By Niccolo Machiavelli. New York: The New American Library of World Literature Inc., 1952. Print.
Hebron, Malcolm. Key Concepts in Renaissance Literature. Basingtoke: Palgrave
Machiavelli, Niccolò. The Prince and The Art of War. London: CRW Publishing Limited, 2004. Print.
“Machiavellian.” Merriam Webster Online. Merriam Webster, n.d. Web. 13 February 2015.Macmillan, 2008. Print.
Nederman, Cary. “Niccolò Machiavelli.” The Stanford Encyclopedia of Philosophy. Ed. Edward N. Zalta. Web. 18 February 2015.
Shakespeare, William. Othello. Ed. Jonathan Bate and Eric Rasmussen. RSC Edition. Basingtoke: Macmillan, 2008. Print.
Wells, Stanley. “Shakespeare’s Comedies” The New Cambridge Companion to Shakespeare. Ed. Margreta de Grazia and Stanley Wells. Cambridge: Cambridge University Press, 2001. 105-119.
DOI: https://doi.org/10.22146/lexicon.v4i2.42155
Article Metrics
Abstract views : 13923 | views : 4178Refbacks
- There are currently no refbacks.
Copyright (c) 2015 Raden Ayu Qisthi Shafira Sukardi
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Lexicon Office
English Department Faculty of Cultural Sciences, Universitas Gadjah Mada Soegondo Building, 3rd Floor, Room 306 Yogyakarta, Indonesia 55281 Telephone: +62 274 513096 Email: lexicon.fib@ugm.ac.id ISSN: 2746-2668 (Online) |
LEXICON is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. |
Lexicon is indexed in