ROKOK, ALKOHOL DAN CINTA: TIGA PERBINCANGAN MENUJU “SURGA” (PEMAKNAAN AUDIENS FILM CONSTANTINE DALAM RANAH FIKSI PENGGEMAR)

https://doi.org/10.22146/poetika.v1i1.10380

Yongky Gigih Prasisko(1*)

(1) Kajian Budaya dan Media Universitas Gadjah Mada Jln. Teknika Utara, Pogung, Yogyakarta
(*) Corresponding Author

Abstract


Abstract
The transition of traditional media toward new media provide the change of media communications system
toward the audience; which is originally transmitive, narrowcast and centralized become dialectical, broadcast and
scattered. New media provides a space for the audience to interpret media content, with its dialectic system, the meaning
become plural and heterogeneous. Audiences are no longer a passive object but subjects who actively participated in the
media. The concept of an active audience get the material in the form of fan fiction on fanfiction.net site, in this context
Constantine movie audience, make a fictional story with characters and settings are still using film as a new form of
interpretation and meaning of the film. In the realm of fanfiction, has created dialectic between the audiences with the
media, through which new meanings will continue to emerge from the diverse audience interpretation.
Keywords: Audience, fanfiction, Constantine, ecstasy, investment



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DOI: https://doi.org/10.22146/poetika.v1i1.10380

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