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The Subversion of Ageism and Sisterhood in Diana Wynne Jones’ Howl’s Moving Castle
https://doi.org/10.22146/poetika.v13i2.108024 Khairiyah Eka Januaristi(1*), Kushardiyanti Novinda(2), Daud Jiwandono(3)
(1) Universitas Negeri Semarang
(2) Universitas Negeri Semarang
(3) Universitas Negeri Semarang
(*) Corresponding Author
Abstract
The aim of this study is to examine the subversion of ageism and female identity in Diana Wynne Jones’ Howl’s Moving Castle through the lens of deconstruction and postmodern feminism. This novel challenges conventions in Young Adult Literature (YAL), where protagonists are typically young. In contrast, the novel’s main character Sophie Hatter is cursed by a witch into an elderly woman, only to discover agency, confidence, and self-worth through this transformation. Data related to the contestation of ageist and patriarchal assumptions are analyzed using Critical Discourse Analysis (CDA). The findings of this study suggest that the narrative demonstrates fluidity of identity, not strictly defined by age transformation and biological ties of sisterhood. Elements of fantasy employed in this novel function as more than a genre, allowing for fluid identity, which facilitates emotional support and mutual empowerment, rather than female rivalry. Through Sophie’s metamorphosis and the symbolism of the ever-moving castle, the fantasy setting operates as a critical space that redefines freedom, agency, and female solidarity beyond patriarchal and ageist constraints. Resisting age, gender, and identity stereotypes, this novel successfully expands the issues of representation in YAL. It establishes the possibility that fantasy, as a genre, is a powerful medium for critique and redefinition of age, identity, and sisterhood.
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DOI: https://doi.org/10.22146/poetika.v13i2.108024
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