THE SCENT OF SAKE: A FAILURE IN THE EMBODIMENT OF JAPANESE WOMAN IDENTITY TO BE AN AUTHENTIC SUBJECT
Zietha Arlamanda Asri(1*), Mira Utami(2), Sulistya Ningtyas(3)
(1) Alumni S2 Sastra Fakultas Ilmu Budaya Universitas Gadjah Mada
(2) Alumni S2 Sastra Fakultas Ilmu Budaya Universitas Gadjah Mada
(3) Alumni S2 Sastra Fakultas Ilmu Budaya Universitas Gadjah Mada
(*) Corresponding Author
Abstract
Identity is seen as something important to humans in society, as it shows the origin of the self. Sometimes, someone cannot accept the identity that is attached to them, which will lead to the process of forming a new identity. This case also happens to the main character of The Scent of Sake, a novel by Joyce Lebra published in 2009. Rie Omura is not allowed to interfere in the sake making business, so that she tries to change that identity. Thus, this study aims to examine the process of identity formation that occurs in the character of a Japanese woman, represented by Rie. To answer the research problem, this study uses a textual analysis as the research methods. The theory used to assist the analysis is a perspective proposed by Žižek regarding the formation of subject’s identity to achieve the stage of authentic subject. The results show that in her efforts to unbind herself from the symbolic order, she makes attempts to rule the brewer house. However, her action cannot be categorized as a radical action since it cannot bring her out of the Symbolic. It confirms that Rie is failed to be an authentic subject.
Keywords: Japanese Woman, Authentic Subject, Žižek, The Scent of Sake
Identitas dipandang sebagai sesuatu yang penting bagi manusia yang hidup bermasyarakat karena menunjukkan asal-usul. Terkadang, seseorang tidak dapat menerima identitas yang melekat padanya, yang akan memantik tindakannya menuju pembentukan identitas baru. Hal ini juga terjadi pada karakter utama dalam novel "The Scent of Sake" karya Joyce Lebra yang terbit pada tahun 2009. Rie Omura tidak diizinkan ikut campur dalam bisnis pembuatan sake, sehingga dia mencoba mengubah identitas dan pelabelan tersebut. Dengan demikian, penelitian ini bertujuan untuk mengetahui proses pembentukan identitas dalam karakter wanita Jepang, yang direpresentasikan oleh Rie. Untuk menjawab permasalahan penelitian, analisis tekstual digunakan sebagai metode penelitian. Teori yang digunakan untuk membantu analisis adalah perspektif Žižek mengenai pembentukan identitas subjek untuk mencapai tahap subjek autentik. Hasil penelitian menunjukkan bahwa dalam upayanya untuk melepaskan ikatan dari tatanan simbolis, Rie berupaya untuk berperan penting di perusahaan produksi sake milik keluarganya. Namun, tindakannya tidak dapat dikategorikan sebagai tindakan radikal karena tidak dapat membawanya keluar dari Yang Simbolik. Hal ini mengkonfirmasi bahwa Rie gagal menjadi subjek autentik.
Kata Kunci: Perempuan Jepang, Subjek Autentik, Žižek, The Scent of Sake
Keywords
Full Text:
PDFReferences
Adkins, A. 2017. Neoliberalism, Moralism, and Critique in Salman Rushdie’s The Satanic Verses, Critique: Studies in Contemporary Fiction, 58 (1), 12—27.
Faruk. 2012. Metode Penelitian Sastra: Sebuah Penjelajahan Awal. Yogyakarta. Pustaka Pelajar.
Johnston, A. 2008. Žižek’s Ontology, A Transcendental Materialist Theory of Subjectivity. Evanston: Northwestern Univ Press.
Lacan, J. 2006. Écrits: The First Complete Edition in English. Translated by Bruce Fink from Écrits. New York: W.W. Norton & Company.
Lebra, Joyce. 2009. The Scent of Sake. New York: William Morrow Paperbacks.
Manik, R.A. 2016. Hasrat Nano Riantiarno dalam Cemin Cinta: Kajian Psikoanalisis Lacanian. Jurnal Poetika, IV (2), 74—84.
Mianani, S.S.& Wardani, E.D. 2018. The Questioning of the Concept of Masculinity in Joyce Lebra’s The Scent of Sake. Journal of Language and Literature, 18 (1), 41—49.
Myers, T. 2003. Slavoj Žižek. New York: Routledge.
Parker, I. 2004. Slavoj Žižek, A Critical Introduction. London: Pluto Press.
Robet, R. 2010. Manusia Politik: Subyek Radikal dan Politik Emansipasi di Era Kapitalisme Global menurut Slavoj Žižek. Tangerang: Marjin Kiri.
Rullyanti, M. & Sari, S.P. 2015. An Analysis of Libertarian Radical Feminism on Rie’s Character in Joyce Lebra The Scent of Sake 2009. Literary Criticism, 2 (1), 27—34.
Setiawan, R. 2018. Žižek, Subjek, dan Sastra. Yogyakarta: Jalan Baru.
Sharpe, M. & Boucher, G. 2010. Žižek and Politics, A Critical Introduction. Edinburgh: Edinburgh University Press.
Shkandrij, M. 2010. The Shifting Object of Desire: The Poetry of Oleksandr Irvanets. Canadian–American Slavic Studies, 44, 67—81.
Sulistyaningtyas. 2019. Paralaks dalam Novel My Name is Red Karya Orhan Pamuk. Unpublished thesis. Yogyakarta: UGM.
Wang, A.L.W.& Keong, S.C. 2014. Just Jouissance: Discerning and Subverting a Politics of Inherent Transgression in Malaysian Socio-Political Discourse. Asian Journal of Political Science, 22 (2), 147—163.
Woodward, K. 1997. Concepts of Identity and Difference. In K., Woodward (Ed.).Identity and difference. London: Sage/The Open University.
Žižek, S. 1998. The Cartesian Subject versus the Cartesian Theatre. In S., Žižek (Ed.). Cogito and the Unconscious. Durham: Duke University Press.
Žižek, S. 2001. On Belief. New York: Routledge.
Žižek, S. 2008. The Sublime Object of Ideology. London: Verso.
DOI: https://doi.org/10.22146/poetika.v7i2.51610
Article Metrics
Abstract views : 2257 | views : 2340Refbacks
- There are currently no refbacks.
Copyright (c) 2019 Jurnal POETIKA
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.