Dekonstruksi Girl Power dalam Novel The Devil Wears Prada Karya Lauren Weisberger

https://doi.org/10.22146/poetika.v8i1.56540

Rizqi Auliawati Putri(1*)

(1) Universitas Gadjah Mada
(*) Corresponding Author

Abstract


Penelitian ini menganalisis novel berjudul The Devil Wears Prada karya Lauren Weisberger dengan menggunakan dekonstruksi Jacques Derrida. Melalui perspektif Derrida, penelitian ini berusaha untuk menjelaskan representasi girl power dan feminisme dalam novel. Penelitian ini menggunakan metode wacana kritis. Adapun hasil yang didapat pada penelitian ini adalah gambaran girl power seperti perempuan powerful yang dapat bebas bekerja di ranah publik, berintelektual, dan mandiri diposisikan sebagai logos sehingga menempatkan perempuan yang gigih namun tidak memiliki power sebagai pihak yang inferior. Melalui pembacaan ulang, ketergantungan Miranda kepada orang lain menggeser status powerfulnya menjadi seorang yang powerless. Karena ketergantungan tersebut, eksistensi Andrea yang semula anonim dan powerless  berubah  menjadi seorang yang powerful. Adapun aturan-aturan yang dibuat oleh Miranda dalam perusahaan bukan untuk membebaskan perempuan dari jerat patriarki namun hal tersebut semakin mengukuhkan intervensi patriarki.

Kata kunci: Dekonstruksi, girl power, The Devil Wears Prada

This study analyzes a novel entitled The Devil Wears Prada by Lauren Weisberger using deconstruction by Jacques Derrida. Through Derrida's perspective, this study aims to reread and explain the representation of girl power and feminism in the novel. This research uses a critical discourse method. The result shows that strong women who work, are intellectual, independent, and active in public areas and place women who are persistent but do not have power as a lower party. Through Derrida's perspective, Miranda's dependence on others shifts her powerful status to a powerless person. Because of this dependency, Andrea's existence which was originally anonymous and powerless turned into a powerful person. The rules made by Miranda in the company are not to free women from the trappings of patriarchy but this will further strengthen patriarchal intervention.

Keywords: Deconstruction, girl power, The Devil Wears Prada


Keywords


Deconstruction; girl power; The Devil Wears Prada

Full Text:

PDF


References

Al-Fayyadl, M. 2009. Derrida. Yogyakarta: Lkis.

Bhatnagar, D., & Rajadhyaksha, U. 2001. Attitudes towards work and family roles and their implications for career growth of women: A report from India. Sex Roles, 45(7-8), 549-565.

Beauvoir, S. d. 1989. The Second Sex. London: Lowe and Brydone LTD.

Bertens, H. 2001. Literary Theory: The Basics. New York: Routledge.

Cirlot, J. E. 2001. A Dictionary of Symbols:Second Edition. London. Routledge.

Derrida, J. 1976. Of Grammatology. (G. C. Spivak, Trans.) Baltimore: John Hopkins University Press.

Derrida, J. 1988. Limited Inc. (S. Weber, Trans.) Evanstone: Northwestern University Press.

Eagleton, T. 2005. Literary Theory: An Introduction. Oxford: Blackwell Publishing.

Erliska. 2017. Power and Gender Oppression in Lauren Weisberger's The Devil Wears Prada and Seth Graham Smith's Pride and Prejudice and Zombies. Bahasa dan Seni, 45 (2), 121-131.

Glydon, A. 2017. Summary of Simone de Beauvoir, The Second Sex. Retrieved November 1, 2019, from Academia.edu: https://www.academia.edu/31834674/Summary_of_Simone_de_Beauvoir_The_Second_Sex

Guney, A., & Guney, K. 2008. A Brief Description of Jaques Derrida's Deconstruction and Hermeneutics. New World Sciences Academy , 3 (2), 219-225.

Hill, L. 2007. The Cambridge Introduction to Jaques Derrida. New York: Cambridge.

Karlyn, K. R. 2003. Scream, Popular Culture, and Feminis's Third Wave:'I'm Not My Mother'. Genders: Presenting Innovative Work in the Arts, Humanities, and Social Sciences (38).

Narizwana, A. H., & Darma, D. B. (n.d.). Defense Mechanism of Miranda Priestly in Lauren Weisberger’s The Devil Wears Prada. 65-76.

Natarajan, K. 2007. Desire and Deviance in Classical Indian Philosophy: A Study of Female Masculinity and Male Femininity in the Tamil Folk Legend Alliyarasanimalai. In Women’s Sexualities and Masculinities in a Globalizing Asia (pp. 47-66). Palgrave Macmillan, New York.

Octavita, R. A. 2016. Code Mixing and Code Switching in Novel The Devil Wears Prada By Lauren Weisberger: A Sociolinguistic Study. Scope: Journal of English Language Teaching , 1 (1), 69-76.

Odell, A. 2010. Lauren Weisberger Still Talks About How Unfabulous She Was at Vogue. Retrieved Juli 22, 2020, from The Cut: https://www.thecut.com/2010/08/lauren_weisberger_still_talks.html

Rasyida, S. 2018. Perbandingan Feminisme Simone de Beauvoir dan Fatima Mernisi. Makassar: UIN Alauddin Makassar.

Setiawan, R. 2018. Zizek, Subjek, dan Sastra. Yogyakarta: Utama Offset.

Setiyowati, R. D. 2019. Power Reflection in The devil Wears Prada By Lauren Weisberger (2003): A Feminist Approach. Surakarta: Universitas Muhammadiyah Surakarta.

Sudaryanto. 1993. Metode dan Aneka Teknik Analisis Bahasa (Pengantar Penelitian Wahana Kebudayaan Secara Linguistis). Yogyakarta: Duta Wacana University Press.

Syarifudin, F. A., & S, N. R. 2019. Chanel sebagai Representasi Modal Simbolis dalam Novel “The Devil Wears Prada” Karya Lauren Weisberger. Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya , 9 (1), 15-25.

Weisberger, L. 2003. The Devil Wears Prada. UK: Broadway Books.

Wiyatmi. 2012. Kritik Karya Feminis, Teori dan Aplikasinya dalam Sastra Indonesia.

Yogyakarta: Penerbit Ombak.



DOI: https://doi.org/10.22146/poetika.v8i1.56540

Article Metrics

Abstract views : 6048 | views : 5299

Refbacks

  • There are currently no refbacks.




Copyright (c) 2020 Jurnal POETIKA

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

ISSN 2503-4642 (online) | 2338-5383 (print)
Copyright © Poetika: Jurnal Ilmu Sastra under the terms of a Creative Commons Attribution-ShareAlike 4.0 International License.

free web stats View My Stats