The Magic Role of Kim Nam Joon as a Leader of BTS in Conquering the American Market
Iin Rachmawati(1*)
(1) STKIP PGRI Bangkalan
(*) Corresponding Author
Abstract
Keywords
Full Text:
PDFReferences
Adhitya, G. N., Rosmawati, D., & Fainnayla, T. S. (2022). Streaming Laughter: A Linguistic Analysis on Kevin Hart’s Stand Up Comedy Special Zero F**ks Given. Rubikon: Journal of Transnational American Studies, 9(1): 67-78. https://doi.org/10.22146/rubikon.v9i1.73550.
BANGTANTV. (2018). Answer: Love Myself. UNICEF. (2017). Love Myself. LOVE MYSELF. https://metro.style/people/celebrities/kim-namjoon-rm-bts-birthday-tribute-2021/31232#:~:text=Throughout%20the%20eight%20years%20since,Bangtan%20Boys%20respect%20him%20too
Benneth, L. (2014). Tracing Textual Poachers: Reflections on the Development of Fan Studies and Digital Fandom. New York: Routledge.
Bilsky, W & Schwartz, S. H. (2009). Values and Personality. Eur J Pers, 8(3), 163- 181. https://doi.org/10.1002/per.2410080303.
Ghelani. (2020). How Kim Nam Joon, RM of BTS, Taught Me to be a Better Leader. Linkedin. https://www.linkedin.com/pulse/how-kim-namjoon-rm-bts-taught-me-better-leader-grishma-ghelani.
Hartman, A. (2009). What is Culture? Raymond Williams and The Cultural Theory of ‘Customary Difference’. New Left Review, 55, Jan/Feb 2009. https://newleftreview.org/issues/ii55/articles/francis-mulhern-culture-and-society-then-and-now.pdf.
Hermanto, L. & Salindeho, M. (2021). Analyzing the Impact of BTS on Resolving the Problem of Youth Mental Health. Jurnal Ilmu Sosial dan Pendidikan, 5(2), 33-41. http://dx.doi.org/10.36312/jisip.v5i2.1801.
Hutauruk, Y. G. & Salamah, U. (2020). Factors Influencing Youth Audience Involvement (A Study on BTS Fans who Follow @army_indonesia Instagram Account). Jurnal Komunikasi Indonesia, 9(2), 125-134. https://doi/org/10.7454/jki.v9i2.12774.
Irwansyah. & Lestari, A. F, (2020). Participatory Fandom of Army BTS Indonesia in the Digital Comic on Webtoon Apps. Journal Communication Spectrum: Capturing New Perspectives in Communication, 10 (1), 46-57. http://dx.doi.org/10.36782/jcs.v9i1.1872.
Jenkins, H. (2013). Textual Poachers: Television and Participatory Culture Studies in Culture and Communication. New York: Routledge.
Khan, Z. A., Nawaz, A. & Khan, I. U. (2016). Leadership Theories and Styles: A Literature Review. Journal of Resources Development and Management, 16, 1-7.
Keesing, R. (2007). Theories of Culture. Institute of Advanced Studies, Australian National University. Canberra A.C.T: Australia.
Libero, C. (2021). Nam Joon Stage Name Stands for “Role Model”. https://metro.style/people/celebrities/kim-namjoon-rm-bts-birthday-tribute-2021/31232#:~:text=Throughout%20the%20eight%20years%20since,Bangtan%20Boys%20respect%20him%20too.
Northouse, P. G. (2016). Leadership: Theory and Practice (7th ed.). Thousand Oaks, CA: Sage Publishers, Inc.
Parc, J. & Kim, Y. Y. (2020). Analyzing the Reasons for the Global Popularity of BTS: A New Approach from a Business Perspective. JIBE (Journal of International Business and Economy), 21(1), 15-36. DOI: 10.51240/jibe.2020.1.2.
Rachmawati, I. (2021). The Soft Power of South Korea. DeePublish Publisher: Yogyakarta.
Rudy. & Adhitya, G. N. (2022). Fashioning the Gays: A Representation Study on the Gay Protagonists in the 2000s Gay-themed American TV Series. Journal of Language and Literature, 22(2): 335-348. https://doi.org/10.24071/joll.v22i2.4667.
Suryani, A. N. (2019). Bangtan Sonyeondan (BTS) as New American Idol. Rubikon: Journal of Transnational American Studies, 6 (1), 28-54. https://doi.org/10.22146/rubikon.v6i1.61489.
Yoonhee, L. (2022). BTS Kim Nam Joon or RM: The Great Leader of the Millennial Era, Why He’s Chosen and the Moments He Used His Cards on the Members. KpopPost. https://www.kpoppost.com/what-makes-bts-kim-namjoon-rm-the-great-leader-of-the-millennial-era-why-hes-chosen-moments-he-uses-his-leader-card/.
DOI: https://doi.org/10.22146/rubikon.v9i2.75588
Article Metrics
Abstract views : 8445 | views : 1856Refbacks
- There are currently no refbacks.
Copyright (c) 2022 Rubikon : Journal of Transnational American Studies
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.