‘Being Contemporary’: Proses Ari Ersandi Dalam Karya Lalube | Prakasiwi | Jurnal Kajian Seni

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About The Authors

Galih Prakasiwi
* Corresponding Author
Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah Mada Yogyakarta
Indonesia

Rr. Paramitha Dyah Fitriasari
Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah Mada Yogyakarta

Sal Murgiyanto
Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah Mada Yogyakarta

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Keywords Akhudiat, naskah Drama, tokoh, teater Angklung Buddhism Electronic and Multimedia Music, New Music, Postmodernism. Estetika, Gamelan, Gong Gede, Tabuh Glokalisasi, Hibridisasi, Musik Timor, Negosiasi, Nusa Tenggara Timur I Ketut Widianta, Kendang tunggal, Metode, Mengajar. Kebudayaan, Adaptasi, Jazz, Big Band, Salamander Laras Panji stories, lakon, wayang gědhog, structures, meanings Piano compositions, Indisch, Postcolonial, Ki Hadjar Dewantara, Constant van de Wall Salendro aesthetic expressions, art and technology, flow-art, fire dance. dance composition, Seri Inai, dance organization, Panggak Laut elemen visual, fungsi, gereja, ornamen gending sekati, ririg cenik, melodi kelinthing, gedrukan, regeng, pemicu semangat orientalism, postcolonialism, composition, serialism, spectralism selfie, popular, culture, identity, youth woman work

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