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Oki Dirgualam
* Corresponding Author
Indonesia

Dadang Suganda
Fakultas Ilmu Budaya, Universitas Padjadjaran
Indonesia

Bucky Wikagoe
Fakultas Ilmu Budaya, Universitas Padjadjaran
Indonesia

Kunto Sufianto
Fakultas Ilmu Budaya, Universitas Padjadjaran
Indonesia

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Keywords Acting, Actor, Site-specific Theatre, Space, Practical Bali, Gerabah, Fungsi, Pejaten, Relasi Batik Gajah Oling, Etnosemiotika, Estetika, Tari Gandrung Bukoba, Nilai-nilai, Tradisi Lisan Dangdut, Fake, Power, Reproduction, Rhoma Irama, Singer. Festival Klasik Lagu daerah, industri rekaman, kebijakan budaya. Masyarakat, Perempuan, Sinden, Stereotipe Musik Protes, Era Reformasi, Perlawanan Politik, Habitus, Field of Struggle Opera Batak PLOt. Pertunjukan Struktur Dramatisasi, Trilogi Ritual Tabuik, Basalisiah Suling Dewa, Masyarakat Karang Bajo, Identitas Simbolik, Predikat Spiritual Tilhang Serindo Tranformasi-Transisi artwork, creative process, contemporer composer, minimax, Slamet Abdul Sjukur flow, gamelan, improvisation, music education woman work

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Home > Vol 7, No 1 (2020) > Dirgualam
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This journal is published by Performing Arts and Visual Arts Studies, Graduate School, Universitas Gadjah Mada.

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