| |
| Issue |
Title |
| |
| Vol 11, No 1 (2024) |
The Aftermath of 9/11: The Shift of Islam Representation in American TV Series FBI |
Abstract
PDF
|
|
Ratu Nadhirah El Sarah, Ida Rochani Adi |
| |
| Vol 9, No 1 (2022) |
THE DEVELOPMENT OF BIRACIAL IDENTITY IN PATRICIA PARK’S RE JANE |
Abstract
PDF
|
|
Ade Nine Suryani, Nur - Saktiningrum |
| |
| Vol 8, No 1 (2021) |
THE PORTRAYAL OF A KOREAN ADOPTEE’S EXPERIENCE IN NICOLE CHUNG’S ALL YOU CAN EVER KNOW: A MEMOIR OF ADOPTION |
Abstract
PDF
|
|
Rizqia Nuur Maziyya |
| |
| Vol 11, No 1 (2024) |
Enchanted Backburner: Channeling Taylor Swift and Niki on Cegil Identity |
Abstract
PDF
|
|
Theresia Benedikta Laksya Tri Satya |
| |
| Vol 10, No 2 (2023) |
AMERICAN SUBCULTURE: AN IDENTITY TRANSFORMATION OF HIP HOP |
Abstract
PDF
|
|
Luthfadery Ramadhan |
| |
| Vol 10, No 1 (2023) |
Constructing Identity among Chinese American through Jean Kwok Novels Mambo in Chinatown: Postcolonial Study |
Abstract
PDF
|
|
Melly Andani, Elin Eprilin Fitrian Miela Putri |
| |
| Vol 1, No 2 (2014) |
ASIAN INDIAN MUSLIM NEGOTIATING FOR IDENTITY IN THE POST ‘SEPTEMBER ELEVENTH’ AS DEPICTED IN THE FILM MY NAME IS KHAN |
Abstract
PDF
|
|
Fajriani Fajriani |
| |
| Vol 10, No 2 (2023) |
TRANSLATIONAL CONSTRUCTION OF AMERICAN CAPITALIST IDENTITY THROUGH RELIGIOUS TEXTS: CASE OF “DON’T FORGET THE SABBATH” AND “INGAT HARI SABAT” |
Abstract
PDF
|
|
Simon Ntamwana, Ida Rochani Adi |
| |
| 1 - 8 of 8 Items |
|
