Narratives of the Selves and the (in)Tangibility of Vibrant Matter

Teraya Paramehta(1*)
(1) Faculty of Humanities, Universitas Indonesia
(*) Corresponding Author
Abstract
Focusing specifically on how self-narratives transform narratives of other things, the paper focuses on the category of (in)tangibility in vibrant matter. How and in what ways does the (in)tangible quality of things matter in matters and how does it transform the material relationship of narratives? Engaging with theories of new materialism, such as Jane Bennett’s “thing power” and “distributive agency,” and Mel Chen’s discussion on animacy in language, the paper is also in conversation with the genealogy of affective hapticity and the Western tradition of self-narrative. Responding to Jane Bennett’s question on humans and things, the paper suggests that (in)tangibility of matter may offer us a way to better navigate the language gap between things and humans. The paper argues that pausing at moments of (in)tangible processes will make visible how narratives have their own narratives despite the seemingly anthropocentric nature of our reading of narratives. Placing human subjectivities not as the only producers of narratives, the paper demonstrates that things, too, share certain narratives that exist adjacent to the Anthropocene.
Keywords
References
Barthes, R. (1998). The Pleasure of the Text. 1975. Translated by Richard Miller. Hill and Wang, 1998.
Barthes, R. (1998). The pleasure of the text (R. Miller, Trans.). Hill and Wang. (Original work published 1975)
Bennett, J. (2010). Vibrant matter: A political ecology of things. Duke University Press.
Bennett, J. (2011, September 27). Artistry and agency in the world of vibrant matter [Video]. The New School. https://www.youtube.com/watch?v=q607Ni23QjA
Chen, M. Y. (2012). Language and mattering humans. In Animacies: Biopolitics, racial mattering, and queer affect (pp. 23–55). Duke University Press.
Derrida, J. (2005). On touching—Jean-Luc Nancy (C. Irizarry, Trans.). Stanford University Press.
Dix, H. (2018). Introduction: Autofiction in English: The story so far. In H. Dix (Ed.), Autofiction in English (pp. 1–23). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-89902-2
Latour, B. (1996). On actor network theory: A few clarifications. Bruno-latour.fr. http://www.bruno-latour.fr/sites/default/files/P-67%20ACTOR-NETWORK.pdf
Miller, J. H. (2009). The main traits of Derrida’s hand. Derrida Today, 1(2), 145–166.
Sedgwick, E. K. (2003). Introduction. In Touching feeling: Affect, pedagogy, performativity (pp. 1–25). Duke University Press.
Singh, J. (2018). Introduction: Reading against mastery. In Unthinking mastery: Dehumanism and decolonial entanglements (pp. 1–28). Duke University Press.

Article Metrics

Refbacks
- There are currently no refbacks.
Copyright (c) 2025 Jurnal Filsafat
Jurnal Filsafat Indexed by:
Jurnal Filsafat ISSN 0853-1870 (print), ISSN 2528-6811 (online)