ORKES SIMFONI DALAM PERSPEKTIF HABITUS BOURDIEU

https://doi.org/10.22146/kawistara.5235

Y. Edhi Susilo(1*)

(1) Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta
(*) Corresponding Author

Abstract


Symphony orchestra in Indonesia according to the perspective of “habitus Bourdieu” has managed to
create a middle-class symphony orchestra music. Habitus is in the process of producing and reproducing
the group, and when the group was awakened, finally realizing that he is a group. The existence of
a symphony orchestra in Indonesia was pioneered by Radio Orchestra and Orchestra Studio in RRI
Jakarta in 1950. In 1966 on the initiative of Ali Sadikin, both the orchestra and being joins with name
Orkes Simfoni Jakarta (OSJ). OSJ as outset of symphony orchestra in Indonesia, further influencing
the emergence of various symphony orchestras such as: University of Indonesia Symphony Orchestra
(1983), Twilite Orchestra (1991), Surabaya Symphony Orchestra (1996), Nusantara Symphony Orchestra
(2000), Gita Bahana Nusantara (2003 ), and others.

Keywords


Bourdieu’s habitus, symphony orchestras, the middle class.

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DOI: https://doi.org/10.22146/kawistara.5235

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Jurnal Kawistara is published by the Graduate School, Universitas Gadjah Mada.