|
Issue |
Title |
|
Vol 10, No 1 (2023) |
Poverty and Unemployment in Stephen Crane’s Maggie: A Girl of the Streets: A New-Historicism Study |
Abstract
PDF
|
Krisna Sujiwa, Salsabila Bunga Sangsthita, Pandu Wiguna Restu |
|
Vol 9, No 1 (2022) |
PREVAILING AMERICAN DEMOCRACY WITHIN AFRICAN-AMERICAN LITERATURE OF AMANDA GORMAN’S THE HILL WE CLIMB: STUART HALL’S AUDIENCE RECEPTION ANALYSIS |
Abstract
PDF
|
Alifiadita Nindyarini Wirawan, Achmad Munjid |
|
Vol 4, No 2 (2017) |
Racial Passing Practiced by Mulattoes: A New Historicist Reading of Nella Larsen’s Passing and Jessie Fauset’s Plum Bun” |
Abstract
PDF
|
Desy Eka Fatmawati |
|
Vol 6, No 1 (2019) |
RACISM IN THE LAST DECADE OF HOLLYWOOD COMEDY MOVIES |
Abstract
PDF
|
Thiska Septa Maiza, Ida Rochani Adi |
|
Vol 8, No 2 (2021) |
RACISM TOWARDS AFRICAN AMERICAN COMMUNITY AS REFLECTED IN MAYA ANGELOU’S I KNOW WHY THE CAGED BIRD SINGS: BLACK AESTHETIC CRITICISM |
Abstract
PDF
|
Gisa Maya Saputri |
|
Vol 3, No 2 (2016) |
REFORMULATING DRACULA IN THE EARLY 21ST CENTURY: GENRE ANALYSIS OF 24 VAMPIRE FILMS |
Abstract
PDF
|
Nofiyanti Fuanda |
|
Vol 9, No 1 (2022) |
RELIGIOUS EVENT (DOOM) AND PURITAN TEACHING IN MICHAEL WIGGLESWORTH’S POEM THE DAY OF DOOM |
Abstract
PDF
|
Riris Yusrina |
|
Vol 6, No 2 (2019) |
RELIGIOUS EVENT (DOOM) AND PURITAN TEACHING IN THE POETRY “THE DAY OF DOOM” BY MICHAEL WIGGLESWORTH |
Abstract
|
Riris Yusrina |
|
Vol 10, No 1 (2023) |
Remembering Baraka’s Dutchman: A Comparative Study of Absurd Dramaturgy on the Racial Absurdity |
Abstract
PDF
|
Wahyu Seno Aji, Anna Sriastuti |
|
Vol 11, No 1 (2024) |
Representation of Black People in Dahmer - Monster: The Jeffrey Dahmer Story |
Abstract
PDF
|
Lerissa Daniela, Purwanti Kusumaningtyas |
|
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