| Issue | Title | |
| Vol 2, No 2 (2015) | NON-VIOLENCE PRINCIPLES IN KING’S SPEECHES AND ITS IMPACTS TO AFRICAN AMERICAN SOCIETY | Abstract PDF |
| Eryn Gemala Putri | ||
| Vol 6, No 2 (2019) | POST-9/11 TRAUMATIC PARANOIA AS REFLECTED IN DON DELILLO’S FALLING MAN | Abstract PDF |
| Siti Kurniati Rasad, Achmad Munjid | ||
| Vol 8, No 1 (2021) | POSTCOLONIAL TRANSLATION STUDIES: FOREIGNIZATION AND DOMESTICATION OF CULTURE-SPECIFIC ITEMS IN OF MICE AND MEN’S INDONESIAN TRANSLATED VERSIONS | Abstract PDF |
| Hafizha Fitriyantisyam, Aris Munandar | ||
| Vol 12, No 1 (2025) | POST-MATERIALISM IN THE US TO THE ACCEPTANCE OF RELIGIOUS LGBTQ+ IN NEW MEDIA | Abstract PDF |
| Annida Ul Marhamah | ||
| Vol 6, No 2 (2019) | POSTWAR JAPANESE ADOPTION OF AMERICAN CULTURE IN LYNNE KUTSUKAKE’S THE TRANSLATION OF LOVE: A POSTCOLONIAL APPROACH | Abstract PDF |
| Bhakti Satrio Nugroho, Muh. Arif Rokhman | ||
| Vol 10, No 1 (2023) | Poverty and Unemployment in Stephen Crane’s Maggie: A Girl of the Streets: A New-Historicism Study | Abstract PDF |
| Krisna Sujiwa, Salsabila Bunga Sangsthita, Pandu Wiguna Restu | ||
| Vol 9, No 1 (2022) | PREVAILING AMERICAN DEMOCRACY WITHIN AFRICAN-AMERICAN LITERATURE OF AMANDA GORMAN’S THE HILL WE CLIMB: STUART HALL’S AUDIENCE RECEPTION ANALYSIS | Abstract PDF |
| Alifiadita Nindyarini Wirawan, Achmad Munjid | ||
| Vol 12, No 1 (2025) | PRIYANKA CHOPRA’S HYBRID IDENTITY AS A PUBLIC FIGURE SEEN THROUGH HER INSTAGRAM POSTS | Abstract PDF |
| Clara Andita Dwi Putri Wijaya | ||
| Vol 4, No 2 (2017) | Racial Passing Practiced by Mulattoes: A New Historicist Reading of Nella Larsen’s Passing and Jessie Fauset’s Plum Bun” | Abstract PDF |
| Desy Eka Fatmawati | ||
| Vol 6, No 1 (2019) | RACISM IN THE LAST DECADE OF HOLLYWOOD COMEDY MOVIES | Abstract PDF |
| Thiska Septa Maiza, Ida Rochani Adi | ||
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