|
Issue |
Title |
|
Vol 9, No 2 (2022) |
Female Action Hero’s Superpower Representation: Audience Reception on Twitter in Disney’s Mulan (2020) |
Abstract
PDF
|
Winda Nur Pratiwi, Fitria Akhmerti Primasita |
|
Vol 8, No 2 (2021) |
FEMSLASH FANFICTION AND LESBIANISM: EFFORTS TO EMPOWER AND EXPRESS ASIAN AMERICAN WOMAN SEXUALITY |
Abstract
PDF
|
Tyas Willy Kartika, Maria Elfrieda C.S.T |
|
Vol 3, No 1 (2016) |
FIGHTING FOR WOMEN EXISTENCE IN POPULAR ESPIONAGE MOVIES SALT (2010) AND ZERO DARK THIRTY (2012) |
Abstract
PDF
|
Benita Amalina |
|
Vol 3, No 2 (2016) |
Formulating Black Womanhood: A Study on Beyoncé’s Hip-Hop Song Lyrics in Beyoncé Platinum Edition Album |
Abstract
PDF
|
Ika Ayu Larasati |
|
Vol 4, No 1 (2017) |
Framing Women Politician in Democratic Environment: A Study of Megawati Soekarno Putri and Hillary Clinton |
Abstract
PDF
|
Nurlita Hapsari |
|
Vol 4, No 2 (2017) |
From Suspended to Emergent Woman, An African American Criticism of Zora Neale Hurston’s Their Eyes Were Watching God |
Abstract
|
Simon Ntamwana |
|
Vol 11, No 1 (2024) |
From Tweet to Conflict: Critical Discourse Analysis on Daryl Morey's Tweet about Hong Kong Protest |
Abstract
PDF
|
Krisna Sujiwa, Aris Munandar |
|
Vol 9, No 2 (2022) |
Gender Bias & Religious Discrimination: Positive Framing of News Report Coverage on Mauree Turner |
Abstract
PDF
|
Erwanda Resti Chaerunnisa, Aris Munandar |
|
Vol 2, No 2 (2015) |
GENDER WAGE DISPARITY IN THE UNITED STATES: SOCIO-CULTURAL CONTEXT V. LEGISLATIONS |
Abstract
PDF
|
Agnes Nora Eko Wahyu Utami |
|
Vol 1, No 1 (2014) |
HENRY A. KISSINGER’S ARTICLE ON TERRORISM: A CRITICAL ANALYSIS |
Abstract
PDF
|
Mokhamad Toha Rudin |
|
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