PERAN GANDANG TASA DALAM MEMBANGUN SEMANGAT DAN SUASANA PADA PERTUNJUKAN TABUIK DI PARIAMAN

https://doi.org/10.22146/jh.6411

Asril Asril(1*)

(1) Institut Seni Indonesia Padangpanjang, Sumatera Barat
(*) Corresponding Author

Abstract


Performing Tabuik in society Pariaman, West Sumatra, is a tradition of cultural influence of Shi’ite Islam that has inherited the local community since about two centuries ago. Tabuik performances are “heroic” and colossal. Pariaman society presented this performance by presenting two Tabuik support group. In certain parts of the performance, these two groups are presented opposite each other. One of the most important elements in each Tabuik performance is gandang tasa, the percussion ensemble. Gandang Tasa role in a variety of contexts and series of performances Tabuik. Gandang tasa most important role is to build the spirit of supporting performances that can trigger mood Tabuik be “hot”, especially on hard-dimensional performances, so that it will make a massive fight among the supporters of Tabuik. The method used in this study is a qualitative method that emphasizes the role of the drum in the quality of every part of the Tabuik performance which refers to a variety of atmosphere that was built in the Tabuik perfomance. Gandang Tasa be decisive in establishing the spirit, atmosphere, and the dynamics in each performance of Tabuik.


Keywords


tabuik performance, gandang tasa, spirit, the atmospheres of performance

Full Text:

PDF


References

Ansary, Tamim. (2012) Dari Puncak Bagdad: Sejarah Dunia Versi Islam. Jakarta: Zaman.

Ashcroft, Bill., Gareth Griffiths, dan Helen Tiffin. (1998). Post-Colonial Studies: The Key Concepts. London dan New York: Routledge.

Asril. (2002). “Pertunjukan Gandang Tambua dalam Upacara Ritual Tabuik di Pariaman Sumatera Barat”. Tesis S2 Universitas Gadjah Mada, Yogyakarta.

_____. (2008). “Upacara Tabuik dalam Sosial Budaya Masyarakat Pariaman: Keberlangsungan dan Perubahannya”. Laporan penelitian, Padangpanjang: STSI Padangpanjang.

Brockelmann, Carl.(1956). History of The Islamic Peoples. Terj. Joel Carmichael dan Moshe Perlmann, London: Routledge and Keagan Paul Ltd.

Djohan. (2009). Psikologi Musik, Cetakan III, Yogyakarta: Best Publisher.

Ekasari, Rini. (2011).”The Culture of West Sumatera and Tourism: Can “Tabuik” Festival in Pariaman Became an International Tourist Attraction?” TesisS2 University of Angers.

Khanizar. (2004). “Dekonstruksi Estetika Postmodernisme: Membaca Wacana Idealitas Estetis Upacara Tabuik di Pariaman Sumatra Barat”. Jurnal Bheri Jurnal Ilmiah Musik Nusantara Vol. 3 No.1, hlm. 65-78.

_______. (2005).Upacara Tabuik di Pariaman, Sumatra Barat: Analisis Melalui Teori Dekonstruksi dan Wacana Estetika Postmodernisme. Tesis S2 Universitas Udayana, Denpasar.

Merriam, Alan P. (1968). The Anthropology of Music. Chicago: Northwestern University Press.

Muchtar, Asril. (2005). “Gandang Tambua: Musik Pembangkit Semangat ‘Heroik’ dan ‘Patriotik’. dalam Upacara Tabuik di Pariaman, Sumatra Barat”. Jurnal Panggung STSI Bandung, No. XXXVII, hlm. 67-74.

Pasaribu, Ben M. (1992). “Taganing Batak Toba: Suatu Analisis Struktural dan Stratifikasi Sosial” dalam Nugraha, Sugeng (ed.). Seni Pertunjukan Indonesia. Surakarta: Masyarakat seni Pertunjukan Indonesia.

Purba, Mauly. (1991). “Mangindo Gondang di dalam Penyajian Musik Gondang Sabangunan pada Masyarakat Batak Toba”. Jurnal Masyarakat Musikologi Indonesia, Tahun II No. 2, hlm. 134-163.

Rahmanelli. (2007). “Upacara Ritual Tabuik dalam Konteks Perubahan Budaya di Kota Pariaman”. Tesis S2 Universitas Negeri, Padang.

Rouget, Gilbert. (1985). Music and Trance: A Theory of the Relations between Music and Possession. Chicago dan London: The University of Chicago Press.

Siregar, Miko. (1996). “Tabuik Piaman Kajian Antropologis terhadap Mitos dan Ritual (Studi Kasus di Pariaman Tengah, Kabupaten Padang Pariaman, Sumatra Barat)”. Tesis S2 Universitas Indonesia, Jakarta.

Stein, Leon. (1979). Structure and Style the Study and Analysis of Musical Forms. Princeton, New Jersey: Summary-Bichard Music.

Yulimarni. (2011). “Tabut Subarang Tahun 2010 Dalam Tradisi Muharram Masyarakat Pariaman di Sumatra Barat”. Tesis S2 Institut Seni Indonesia, Yogyakarta.

Zubir, Zaiyardam. (2010). Budaya Konflik dan Jaringan Kekerasan: Pendekatan Berdasarkan kearifan Lokal Minangkabau. Yogyakarta: INSISTPress.

Wolf, Richard K. (2000). “Embodiment and Ambivalence: Emotion in South Asian Muharram Drumming”. Yearbook for Traditional Music 32:81-116. http://nrs.harvard.edu/urn-3 (diakses 4 February,2014).



DOI: https://doi.org/10.22146/jh.6411

Article Metrics

Abstract views : 2894 | views : 3158

Refbacks

  • There are currently no refbacks.




Copyright (c) 2015 Asril .

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.



free web stats Web Stats

ISSN 2302-9269 (online); ISSN 0852-0801 (print)
Copyright © 2022 Humaniora, Office of Journal & Publishing, Faculty of Cultural Sciences, Universitas Gadjah Mada