|
Issue |
Title |
|
Vol 7, No 2 (2020) |
THE PARADOX BEHIND THE EXISTENCE OF GAY CONVERSION THERAPY AS DEPICTED IN GARRARD CONLEY’S MEMOIR BOY ERASED |
Abstract
PDF
|
Sekar Yolanda Azza |
|
Vol 8, No 1 (2021) |
THE PORTRAYAL OF A KOREAN ADOPTEE’S EXPERIENCE IN NICOLE CHUNG’S ALL YOU CAN EVER KNOW: A MEMOIR OF ADOPTION |
Abstract
PDF
|
Rizqia Nuur Maziyya |
|
Vol 11, No 2 (2024) |
THE PORTRAYAL OF BLACK FEMINISM IN GARY GRAY'S SET IT OFF THROUGH CRITICAL RACE THEORY |
Abstract
PDF
|
Romala Sagita, Lazuar Azmi Zulferdi, Yusrina Dinar Prihatika |
|
Vol 11, No 2 (2024) |
THE PORTRAYAL OF FEMALE VILLAINS: A REPRESENTATION STUDY ON CRUELLA |
Abstract
PDF
|
Livia Traesar, Nur Saktiningrum |
|
Vol 2, No 2 (2015) |
THE POWER OF AMIRI BARAKA’S POLITICAL THOUGHTS TO THE AFRICAN-AMERICAN MOVEMENT IN AMERICA |
Abstract
PDF
|
Irma Febriyanti |
|
Vol 10, No 2 (2023) |
THE POWER OF LOVE AS A TRANSFORMATIVE FORCE: ALAIN BADIOU’S THEORY OF LOVE AND CIVIL RIGHTS MOVEMENT IN THE US |
Abstract
PDF
|
Muhammad Irfan Syaebani, Untung Yuwono, Embun Kenyowati Ekosiwi |
|
Vol 4, No 2 (2017) |
The Regaining Territory of the Ojibwa Tribe in Louise Erdrich’s The Birchbark House Book Series |
Abstract
PDF
|
Ramadhina Ulfa Nuristama |
|
Vol 10, No 2 (2023) |
THE REPRESENTATION OF BULLYING IN AMERICAN FILMS |
Abstract
PDF
|
Greace Naomi Br. Ginting, Rudy Rudy |
|
Vol 4, No 2 (2017) |
THE REPRESENTATIONS OF HOMOPHOBIA IN GAY-THEMED AMERICAN MOVIES 1990s–2010s |
Abstract
PDF
|
Stella Maris Saraswati Mere |
|
Vol 1, No 2 (2014) |
THE SEAMY SIDE OF AMERICAN CAPITALISM IN JOHN STEINBECK'S THE GRAPES OF WRATH |
Abstract
PDF
|
Fuad Hasyim |
|
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